Bugera’s 333XL is a monster of an amplifier. It has three channels, Clean, Crunch, and Lead. It gives of 120-Watts of power, thanks to the four 12AX7 pre-amp tubes and four EL34 power tubes. If you prefer the cleaner American sound, a bias switch allows you to use 6L6’s in place of the EL34’s. An Impedance switch is standard on the 333XL, too, so you can plug this bad boy in to any 4, 8, or 16 Ohm speaker cabinet.
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The Bugera 6260 is a two-channel, 120-Watt amplifier with a classic, American sound. The amp is run off of five 12AX7 pre-amp valves and four 6L6 power valves. If you would rather have the rugged, British tone, the amp has a convertible switch, allowing you to use EL34 power valves instead.
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Soldano’s Hot Rod 50 Plus is a versatile 50-watt amplifier. It is run on 5881 Power Tubes, and has the sound to prove it. You have a global control panel consisting of Presence, Treble, Mids, Bass, and Depth, so you can tweak it as much or as little as you want to get the perfect tone. A speaker impedance switch, slave output with level control, tube-buffered serial effects loop, and a channel-switching footswitch are also ready to be used.
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Marshall reissued the Vintage JCM900 (4100) head, with the tone and versatility that so many guitarists loved. This 100 watt amplifier runs on three ECC83 Pre-Amp Tubes and four 5881 Power Tubes, so you know you will get that signature Marshall sound. However many players replace the 5881 tubes with EL34s. It has two channels, 4 Band EQ, and a Series Effects Loop, giving any player a wide range of tonal abilities.
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The Bogner Uberschall is a 120 Watt two-channel amplifier head. It gets its amazing base sound from EL34 Power Tubes, but has controls that allow you to dial in the exact tone that you want. The Clean channel has controls for Volume, Gain, Bass, Mids, Treble, and Presence. If you want the cleanest sound, turn the Gain on the clean channel all the way down. The second channel is High Gain. This highly aggressive channel also has controls for Volume, Gain, Bass, Mids, Treble, and Presence.
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